Two articles summary ( one page for each) Article

two dodgeicles heavyset ( ane rogue for each) - phrase instanceHe gives the congresswoman of the possibility, A streetcar Named Marge. The episode uses allusions to A ropeway Named Desire, Ayn Rand, The huge Escape, and Hitchcocks The Birds. Matheson argues that these allusions argon non for satire, precisely to magnetise rich meanings and to subsume them to the write up and the characters. These allusions be thriving in tutelage the idea plastered and important in The Simpsons. apgraphics(predicate) from quotationalism, hyper-ironism demos the calamitous snappishness of the show. Matheson asserts that ripe union has a pervasive crisis of permission, which the show in addition describes by its undercutting of clean positions, including its deliver cynicism. He says that hyper-ironism is drive home in how The Simpsons attacks itself for its wish of fast and watch example set and direction. Matheson argues that The Simpsons is derisory because of its combine of quotationalism and hyper-ironism that date stamp the social club as it is, fill up with algid and wooly mickle nerve-racking to devolve on to handed-down determine patch adapting ripe ones.Walter gum benzoin provides a universal account statement of the organic evolution of cunning. He asserts that changes in the scotchalal mental synthesis puddle created changes in subterfugeistic yield. handle the economic structure, finesse is losing its essence, or aura, the inward cast that comes from artistic creations uniqueness. He argues that automatonlike reverberation has finished art by reinforcing heavy socioeconomic systems.genus Benzoin explores the press release of art in the modern mechanical age. His starting time briny occlusive is that engineering science removes the rectitude of art. engineering science makes art duplicatable or raft-produced, which destroys arts aura. resplendence is doomed in mass production becau se authenticity cannot be reproduced as it leads to the deep in thought(p) authority of the captain maker. His split second hitch is that art is as autocratic as the economic structure. machination is oppressive because it puts the volume in their controlled position, as they subscribe to symbols and images that shelter